一(🈯)直(🕕)作為米路斯(sī ).(⛲)科曼劇本鐵三角(另一位是(shì )帕培錫,也(yě )是(shì )(🕰)本片(piàn )編劇之一)(🎹)成(chéng )(🆖)員(yuán )的(🐉)艾(🛤)雲(🌰).巴薩,當(🐮)然也(💤)走低(dī )度(📿)戲劇路線。同是音樂(lè )家的彼德與(yǔ )卡洛(🕔)老友重逢,生活狀況(🕯)大不(🙍)同(tóng ),你有伴侶(lǚ )我有家庭,然而都(dōu )有說不出的(✖)不明朗,唯有以酒與音樂代替(🔊)口水(shuǐ )。全(🌙)片推展(zhǎn )(🚣)不(🔩)問目的,只在剎那間(jiān )的意圖,行(🎛)行(háng )企(qǐ )企(🥎)比起科曼(màn )更義無(✋)反(fǎn )顧,卻有(🤸)生活淡(dàn )如流(🙀)水的詩意和繆(🈴)思,叫觀眾聯想(🔔)到二十年(nián )後(hòu )的伊力.盧馬。巴(🕐)薩鍾愛(ài )音(🧣)樂的(de )程度不(👣)下於文字和(hé )電(diàn )影,古典音樂(🛎)與民間音樂於全(➡)片(🏻)迴轉迴盪(🐨),難怪(guài )成(🃏)了(le )奇(qí )(💅)斯洛夫斯基(jī )十(shí )大心愛(ài )(🏒)電影之一。 康城影展青(qīng )年(💏)評審團(tuán )獎,美國(guó )全(quán )國影評人協(xié )會特別獎 (🆙)這(zhè )部1966年(nián )的(⏳)珍(🏓)品,是(🍁)捷克(kè )新浪潮短暫(📤)生命中最佳作品之(zhī )一。成(🤼)名(míng )(❓)音樂家(jiā )到(💑)小鎮(😉)探訪舊同(⛴)學(🏸),舊同學是個窮音樂教師,有時在喪禮上吹奏樂曲。平凡的素材在巴素(sù )手(🍾)裡,變出風趣(qù )復罕見的(de )旋(🗒)律,一部憂鬱的(de )(🏖)喜劇,或灰色喜劇(jù )。 - Dave Kehr, Chicago Reader (🏉)Ivan Passer's (Cutter's Way and Creator) last film to be made in his native Czechoslovakia is about friends – musician Petr and music teacher Karel – reunited when Petr returns to town for a performance. Passer frequently collaborated with Milos Forman and the episodic, low-action aesthetic that was evident in Forman's early work can be seen here. Years of separation have bred apprehension between the two men, and Karel's simmering jealousy makes their meeting all the more awkward. Eventually, the barriers crumble enough for the pair to freely discuss their lives. The film's simple beauty is in the details of the men's reacquainting themselves with each other, discovering each other's regrets and unfulfilled desires. Alive with pathos, humour and insight. Special Award, National Society of Film Critics Awards Its simple city mouse-country mouse story involves the meeting of two former schoolmates as they prepare for a small-town concert. Enlivened by Passer's flair for grotesquerie, this unassuming masterpiece maintains a delicate balance between hilarity and despair. (🏿) - Elliott Stein, Village Voice Source HKIFF Czech New Wave 2006
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