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一直作為米路(🔨)斯．科曼劇本鐵(📒)三(sān )角（(🍩)另一位(🃏)是帕培(péi )錫(🕸)，也是(🕰)本(🤢)片編劇之(zhī )(🔧)一）成員的艾雲．巴薩，當(🐮)然也(yě )走低(dī )度戲劇(jù )路(lù )線。同是音樂家(📼)的彼德與卡洛老友(yǒu )重(🎩)逢，生(shēng )活狀況大(dà )不同，你有伴侶我(wǒ )有(yǒu )家(🐖)庭(🕌)，然(rán )而(🎿)都有(🥞)說不出(chū )的不(🙁)明朗，唯有以酒(jiǔ )與音樂代替口水(shuǐ )。全(🌙)片推展不問目(🌚)的，只(🛑)在(zài )剎(😞)那間的意(yì )圖(🦗)，行行企企比(🥔)起(💻)科曼更義(🔝)無(wú )(✋)反(fǎn )(🐑)顧，卻有生活淡如(👓)流(liú )水的詩意(yì )和(⏰)繆思，叫觀眾聯想到二十年(nián )後(hòu )(😍)的伊(👺)力．盧馬(🎋)。巴薩鍾愛(ài )音樂的程度不(bú )下(xià )於文字和電(diàn )影(yǐng )，古典(diǎn )音(yīn )樂(🛎)與(yǔ )民(🚗)間音(yīn )樂於全片(piàn )迴轉(zhuǎn )迴盪，難怪成了(🌪)奇斯洛夫(💹)斯基(jī )(🐩)十大(dà )心(🔈)愛電(diàn )影之一。 (🤔) 康城影展青年評審團(🔷)獎，美國(🥅)全(🐞)國影評人協會特別(bié )獎 這(zhè )部1966年的(de )珍品，是(shì )捷克新(🕕)浪潮短(🎦)暫生(🚻)命中最佳(👚)作(zuò )(🛃)品之一。成(🤼)名音(📬)樂家(🕺)到小(xiǎo )鎮探訪舊(jiù )同學(xué )，舊同學是個窮音樂教師，有時在喪禮上吹奏(💛)樂曲。平凡的素材在巴素手裡，變出風趣復(fù )罕見的旋(🗒)律(lǜ )，一部(bù )憂鬱的(🏖)喜劇，或(huò )灰色喜劇(jù )。 - Dave Kehr, Chicago Reader Ivan Passer's (Cutter's Way and Creator) last film to be made in his native Czechoslovakia is about friends – musician Petr and music teacher Karel – reunited when Petr returns to town for a performance. Passer frequently collaborated with Milos Forman and the episodic, low-action aesthetic that was evident in Forman's early work can be seen here. Years of separation have bred apprehension between the two men, and Karel's simmering jealousy makes their meeting all the more awkward. Eventually, the barriers crumble enough for the pair to freely discuss their lives. The film's simple beauty is in the details of the men's reacquainting themselves with each other, discovering each other's regrets and unfulfilled desires. Alive with pathos, humour and insight. (🧐)Special Award, National Society of Film Critics Awards (🛤) Its simple city mouse-country mouse story involves the meeting of two former schoolmates as they prepare for a small-town concert. Enlivened by Passer's flair for grotesquerie, this unassuming masterpiece maintains a delicate balance between hilarity and despair. - Elliott Stein, Village Voice Source HKIFF Czech New Wave 2006
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