剧情简介
康沃尔渔村的风(fēng )景明信片田园诗误导了人们。虽然过去钓(🔱)鱼是(shì )(🤢)一种养家(jiā )糊口的方式，但如今富(fù )(🏴)有的伦(lún )敦游客纷纷下山，取代了当地(dì )人(rén )，当地人的生计(🔸)因此受到(dào )(🗄)威胁(xié )。史(shǐ )蒂文和(hé )马丁兄弟(dì )的关(guān )系也很紧(🛺)张。马丁是一个没(✖)有(🙁)船的渔(yú )夫，因(🥀)为史蒂文开始用它来为一整天的游客提供更赚(⏯)钱(😞)的旅游。他们卖掉了(le )这座家庭别墅，现在(zài )看来，最后(hòu )一场(chǎng )战(zhàn )斗(dòu )是和新主人在海(🍄)边的停车位上(🔔)展开。然而，情况很(🏯)快就(jiù )(🎋)失控了，而(🚴)不仅仅是因为车轮(lún )(🤘)夹钳。 (💔)Bait是一(yī )(💍)种黑白，手工(➡)制作，16毫(👪)米胶片制作的电影。许多关(guān )于鱼、网、龙虾、长靴(xuē )(🔍)、绳(shéng )结和渔篮的特(tè )写镜头(👵)让人想(🥅)起了蒙太奇景(jǐng )点(📐)的理(lǐ )论。对不同(🆙)社会(🔫)阶(💣)层的描(🌸)述—(⏳)—可以说是阶(👛)级关系——也让人(rén )想起(👚)了英(⏺)国电影中的(de )社会现(🕺)实主(🎴)义(😉)传(chuán )统。然(rán )而，最(💁)重(chóng )要(yào )的是(🔮)，在(zài )影(🐈)像中不同层(💕)次的电(🐌)影(yǐng )历史参(👼)考(😲)文(🐅)献(xiàn )之下，当(🈸)前许多(🛌)政治关联(🚓)正(📯)在(zài )等(♊)待被发现。 The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp. Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata – one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.
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