电(diàn )影(🕕)讲(🍅)述(shù )了上世纪九十年(nián )代的哈萨克小镇,四个少年各自(🔱)的(🕰)生命之(zhī )路(lù )。扎(🎗)哈(hā )拉(lā )(🆖)斯正(zhèng )在(🛤)备受父亲的煎熬(🥩),后(hòu )者因曾是一个诈骗(❣)犯而找不到工(🚤)作,为了(🕔)帮助父亲(qīn )(🤷),他不得(🕖)不在玉米加工厂打工。巴拉潘(pān )有一把(bǎ )好嗓子,能够将“万(🚸)福(fú )玛丽亚”唱的娓(🐖)娓动(dòng )(🔊)听(💞),然而校园(yuán )生活教(🥁)会他的是(🛑)使用(😞)自己的拳头而不(🎛)是声音。扎哈(hā )巴则在流浪在村子里的垃圾(jī )堆中,寻找可以卖(🈴)的废金(jīn )属,他与其他三名(míng )同龄(líng )离(👺)家(jiā )出(chū )走(🤳)的(🎋)男孩(hái )子睡在(🚴)废(fèi )弃的隧道中。阿斯兰正在(💹)为医药(🥊)学努(nǔ )(👊)力,然而当他(tā )说(🈸)服(fú )自己的(de )女朋友(👪)堕(duò )胎之后,他的(🚶)人(rén )格(gé )发生了(😝)彻底的改变。 A godforsaken Kazakh village in the mid-1990s where four youths are trying to find their way in life. Zharas suffers because his father, an ex-con, cannot find a job. To help make ends meet the boy takes on casual work at a corn merchant’s. Balapan can sing ‘Ave Maria’ as clear as a bell but his schoolmates provoke him into using his fists rather than his voice. Zhaba roams about the village ruins looking for waste metal he can sell. He comes across three bedraggled boys of his own age who have run away from a nearby home and are sleeping in a derelict tunnel. Aslan is about to take up studies in medicine but, after having persuaded his girlfriend to have an abortion, he undergoes a complete change in personality. After scoring a hit with his first film Harmony Lessons, which screened in Competition at the Berlinale in 2013, Emir Baigazin’s new work The Wounded Angel describes the mood of teenagers growing up in a time of great upheaval. The film marks the second part of a visually stunning trilogy about young people and their complex relationships in a world without a moral yardstick. berlinale 2016
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